Scene In L.A. January 2020





January 2020


Here are some of the shows you can see in our local theaters this month:



“Musket and the Rat” Musket Cherry is a young woman who lives in a gritty, rugged, ungentrified neighborhood in Chicago. Her mom is a deadbeat alcoholic. Musket’s anchors are her beloved brother Weso, her best friend Gay Stevie, and her boyfriend Billy. Times are tough. Musket supports her family by selling heroin and comforts herself with lots of weed. Bad things happen. Weso is arrested on a trumped-up charge and killed in jail. Billy is jumped and robbed. Musket decides to set things right by arming herself. In a world where justice does not exist, maybe those who wrong her will understand her gun. Can Musket prevail over the forces arrayed against her? Written by Sammy Horowitz, and directed by Simon Lees, it runs January 4 through January 18 at the Arena Stage Hollywood in Hollywood. For tickets call 800-838-3006 or visit


“Steel Magnolias” How do you solve a problem like that child, Shelby? You don’t. A tender, funny, sad funny play about the family tug of war between mother, (M’lynn) and daughter (Shelby) and their friends who all come to the same beauty parlor. Life and its issues get discussed and dissected in a very Southern and ladylike way. A perennial favorite of the American stage. Written by Robert Harling, and directed by Brandon Ferruccio, it runs January 10 through February 16 at the Theatre Palisades Pierson Playhouse in Pacific Palisades. For tickets call 310-454-1970 or visit



“Supportive White Parents” When an Asian girl tells her parents that she doesn’t want to be a doctor anymore, she wishes on a shooting star for supportive white parents. Written by Joy Regullano, with music by The Sam & Tony Show, lyrics by Joy Regullano, and directed by Frank Caeti, it runs January 10 through April 24 at the Second City Hollywood Studio Theatre in Hollywood. For tickets call 323-464-8542 or visit


“Fools the Musical” The musical version of Simon’s play, like the original, is set in Ukraine in 1893. A young tutor arrives in Kulyenchikov following a harrowing journey — only to discover that the village is cursed, rendering every resident as dumb as a bag of rocks. Will Leon fall victim to the curse, or can he save himself and the village too? Just how dumb are the villagers? Let us count the ways: smart-dumb, naïve-dumb, bully-dumb, literal-dumb, professionally dumb, bureaucratically dumb… and just plain old stupid. Written by Neil Simon, with music by Phil Swann and Ron West, additional lyrics by Neil Simon, and directed by Ron West, it runs January 11 through January 26 at the Atwater Village Theatre in Atwater. For tickets call 323-882-6912 or visit


“Sunday Dinner” Michael Matera, a young priest in the Chicago Archdiocese, returns to his parents’ home in the Bronx after his grandfather dies. The Matera clan is gathering at the family home for Sunday dinner. Soon after Michael arrives, his retired working-class father Eddie confesses a sin (more like a felony, really) to Michael. It’s a misdeed which could have serious consequences for other members of the family. To Eddie’s dismay, Michael refuses to grant him absolution. There are reasons for this (which won’t be given away here; You’ll have to see the play to find out). Eddie’s not the only one with secrets. Michael has a few of his own. He’s admitted to himself that he’s gay, but he hasn’t yet come out to his family. Things are about to get more complicated, as Michael’s female ex-lover (who is still interested in him) has also been invited as a guest for Sunday dinner. Can the Materas withstand the weight of so much sin, secrecy and shame? Would revealing all cleanse the family or destroy it? Written and directed by Tony Blake, it runs January 16 through February 16 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-0535 or visit


“The Giver” Life in the futuristic community where The Giver and Jonas live is idyllic. Designated birthmothers produce new children, who are assigned to appropriate family units: one male, one female, to each. Citizens are assigned their partners and their jobs and no one thinks to ask questions. Everyone obeys. The community is a precisely choreographed world without conflict, inequality, divorce, unemployment, injustice…or choice. Join us for this multimedia presentation as we follow Jonas’ journey filled with heightened sensory experiences from a place of sameness… to elsewhere. Written by Lois Lowry, adapted for the stage by Eric Coble, and directed by Harold Dershimer, it runs January 17 through February 22 at the Westchester Playhouse in Westchester. For tickets call 310-645-5156 or visit



“Laura” Nina’s estranged and only daughter, Laura, comes home for an unexpected visit, forcing them to confront painful truths about themselves and their relationship – and the ultimate revelation may be too much to bear. Written and directed by Jessica Silvetti, it runs January 17 through January 19 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit


“Nowhere on the Border” A border watch volunteer confronts a Mexican man who claims to be looking for his missing daughter. Set in a hostile wasteland between nations, the story reveals the personal dramas that drive people to cross borders both physical and emotional. Written by Carlos Lacamara, and directed by Stewart J. Zully, it runs January 17 through March 8 at the Road on Magnolia in North Hollywood. For tickets call 818-761-8838 or visit



“The Water Tribe” Claudia is young, parentless, minimally employed, and almost without family or friends but she remains upbeat about her future and confident in her quest to form a personal tribe for herself and her boyfriend Johnny. But Johnny has problems of his own. He has launched into adulthood but still struggles to cut the cord from his concerned mother while searching for a connection to his long-absent father. As the few people Claudia has in her life begin to fall away and the problems in her relationship are laid bare, she teeters on the brink of catastrophe in this searing, darkly funny tragicomedy about the critical importance of community, identity, and home. Written by Don Cummings, and directed by Tricia Small, it runs January 17 through February 9 at the VS. Theatre in Los Angeles. For tickets call 818-839-1197 or visit


“It’s Only a Play” It’s opening night of Peter Austin’s new Broadway play, The Golden Egg, as he anxiously awaits to see if it’s a hit. With his career on the line, he shares his big First Night with his “best” friend, a television star, his novice producer, his doped-up diva, his genius director, a lethal drama critic, and a fresh-off-the-bus coat check attendant on his first night in Manhattan. It’s alternately raucous, ridiculous and tender—and proves that sometimes the biggest laughs happen offstage! Written by Terrence McNally, and directed by Aric Martin, it runs January 18 through February 9 at the Morgan-Wixson Theatre in Santa Monica. For tickets call 310-828-7519 or visit


“Mistakes Were Made – Coulda-Woulda-Shoulda” Dick’s mistake: He let a sexy, blue-eyed winker threaten his marriage. Jeff’s mistake: He turned down a dream job, then later, screamed, “You idiot!” Mel’s mistake: He hired a famous money manager, now famous for stealing money. Dick’s wife’s mistake: She trusted him, then learned of his affair and had one too. NOBODY’S PERFECT! But mistakes can be fixed, between husbands and wives, girlfriends and boyfriends, fathers and sons. Written by Jerry Mayer, and directed by Chris DeCarlo, it runs January 18 through April 5 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit



“The Unseen Hand and Killer’s Head” What happens when 1880 Western bandits are brought back to life in Azusa, CA by a space alien? E.T. meets the Old West in Sam Shepard’s The Unseen Hand, a hilarious yet foreboding sci-fi Western about a trio of legendary cowboys resurrected to help a mutant extraterrestrial free his people from slavery. The evening also includes Shepard’s gritty and audacious Killer’s Head, a murderer’s monologue delivered as he awaits electrocution, performed by a rotating cast of prominent actors including Steve Howey and Dermot Mulroney. Written by Sam Shepard, and directed by Darrell Larson, it runs January 18 through March 8 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit


“Love in Bloom” Magic and mayhem, fops and fairies, mistaken identity, romance and humor abound in this tongue-firmly-in-cheek evening of theatre. The eight-member cast, in the renowned Actors’ Repertory Theatre commedia-carnival style, creates a host of over thirty characters, bringing to the stage all the stuff that dreams (and musicals) are made on. Written and directed by Chris DeCarlo and Evelyn Rudie, with music by Evelyn Rudie with Matthew Wrather, it runs January 19 through March 1 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit



“Arsenic and Old Lace” Combining murder and mayhem with zany humor, here’s an uproarious black comedy that gives “hospitality” a bad name! Meet Abby and Martha Brewster, two spinster sisters known for their acts of charity — which lately includes poisoning lonely old men with arsenic-laced elderberry wine. When their nephew finds out about the corpses in the cellar, he’s in a frantic race to deal with his aunts, his fiancée, and two crazy brothers – one who thinks he’s Teddy Roosevelt and one who is a dead-ringer for Boris Karloff! Don’t miss one of America’s most popular comedies in a spiffy new production that will slay you with laughter! Written by Joseph Kesselring, and directed by Casey Stangl, it runs January 25 through February 16 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit


“This Side of Crazy” Ditty Blaylock, the most prolific singer in gospel music history, is being honored by “Gospel Music Network.” All the stars are aligning to sing Ditty’s songs on her TV special. But there is one glitch. A little hiccup. Ditty has promised a reunion of The Blaylock Sisters, her three adult daughters who were once national sensations – “little superstars for Jesus.” Rachel, the oldest sister, who lives with Ditty, is furious when she finds out that her baby sister Bethany, an atheist and lesbian, and Abigail, her middle sister, who has “anger issues” and is currently confined to a mental facility, are headed home. What the public is unaware of is that these complicated sisters have been estranged for over twenty-five years – and extreme past circumstances, including a husband left in a coma, have made reconciliation impossible. Once reunited, secrets are revealed, tempers flare and family wounds are exposed. Written and directed by Del Shores, it runs January 31 through March 8 at the Zephyr Theatre in West Hollywood. For tickets visit


“Charley’s Aunt” Charley and Jack love Ay and Kitty. Amy is about to go away, and Charley thinks he may miss his opportunity to ask for her hand in marriage. Then he discovers that his aunt, a Brazilian woman he hardly knows, is coming for lunch. How fortuitous! Now the aunt can chaperone while the boys ask the girls to marry them. Naturally things don’t go as planned. Donna Lucia, the aunt, is late, and their friend, Lord Fancourt Babberley (Babbs) shows up in drag. He is convinced to pretend to be Donna Lucia, and a wild afternoon of mistaken identity, young love, old love, angry uncles, and one beautiful, exotic aunt ensues. In the end, just as it looks like Uncle Stephen is going to ruin everything, the real Donna Lucia steps in and graciously puts an end to the madness. All the lovers end up together and happy, except for Uncle Stephen, who was starting to fall for Babbs! Written by Brandon Thomas, adapted by Carter Thomas, and directed by Carter Thomas, it runs through February 1 at the Glendale Centre Theatre in Glendale. For tickets call 818-244-8481 or visit


Enjoy life more – see a show tonight!